The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary's man.

Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?

Nate Shepherd, late 40's, and Jenny Sparks, early 30's, meet in a fancy New York eatery. Complete strangers who have had a rotten day, waiting for their better halves, they reveal to one another that they are going to meet new people tonight. They quickly realize they are waiting for each other. When Nate loses his girlfriend (after getting fired from his cushy job at an ad agency) and Jenny loses her boyfriend to a drug overdose, Nate's girlfriend suggests that they should move in together as friends to split the rent and ease each others pain. As their friendship grows into something more, their relationship becomes a loving but complicated experience.

Chloe Anderson, a beloved children’s book author, has always drawn inspiration from her cherished childhood memories. During her final book signing at the Noelleville bookstore, Chloe encounters Ethan, a devoted single father, and his book-loving, aspiring writer daughter, Alex. Their shared passion for literature sparks an immediate connection. Just when Chloe believes she’s on the brink of embracing her future, her publisher extends a dazzling opportunity for a high-profile New Year’s Eve appearance on a major network show. Now, she must decide whether to stand firm in her resolve to focus on her novel and personal life, or succumb to the allure of her demanding career.

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

It's 1910 and we're in Banbury church hall at the Banbury Intricate Craft Circle. Margaret has been to London and discovered the Women's Suffrage movement so she decides they need to set up their own movement and The Banbury Intricate Craft Circle becomes the hilariously ineffectual Banbury Intricate Craft Circle politely request women's Suffrage. Gwen is the only member who actually enjoys the craft element of the meetings, while Helen thinks that craft is a little unnecessary, but she's not interested in women's rights: "What on earth do women need a vote for? My husband votes for who I tell him to vote for. What could be a better system than that?"

WOMEN EATING MONSTERS ESCAPE FROM A SECRET LAB AND GO ON A KILLING SPREE! A HUNTER IS TASKED WITH LOCATING AND STOPPING THEM! BUT WILL HE BE ABLE TO SAVE ANY OF THE WOMEN WHO FACE THESE HORRIBLE CREATURES? OR WILL HE JUST BECOME ANOTHER VICTIM?

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

After getting married, director Emilce Quevedo Díaz decides to turn the camera on three generations of women in her family when they gather to take care of her grandmother Sixta, who lives in a remote village in the Colombian countryside and is facing a terminal illness. Sixta’s strength of character and her life of pain and endurance are evident in her fragile, aged body. She grew up without being shown love, and never learned how to express love to her daughters. Slowly, sisters, mothers and daughters begin to speak for the first time, telling stories they had long kept secret, and together they embark on a painful yet hopeful journey of love, life and death. We, the Women is a reflection on the joys of family and women's bonds, the devastating impact of traditional gender roles, sexism, domestic violence and the suffocating weight of religion. 　　源自：https://hotdocs.ca/whats-on/hot-docs-festival/films/2023/we-the-women

A group of women assess the contents of social media profiles submitted by viewers.